香格纳北京S空间｜“共享叙事” 3月22日开幕

爱死你2011

香格纳S空间是香格纳画廊设立的一个特别项目空间，“S空间”将根据不同的策展概念，不定期、不固定地点的为艺术家和策展人举办展览项目。此次S空间位于香格纳北京，将于2018年3月22日推出策展人缪子衿策划的群展——《共享叙事》。

ShanghART S-Space is a special project space of ShanghART Gallery with no fixed space and time. S-Space will hold exhibitions for artists and curators in terms of different curatorial ideas. For this time, S-Space moves into ShanghART Beijing, it will present a group show “Shared Narrative(s)” curated by Miao Zijin.



策展人 | Curator
缪子衿 | Miao Zijin
艺术家 | Artists
施昀佑 & 林奥劼 & 管钧 | Yunyu Ayo Shih & Lin Aojie & Richard Kuan
开幕 | Opening
2018/03/22 3pm
展期 | Duration
2018/03/23- 2018/05/22, 11am - 6pm (周一闭馆 | Mon. Closed)
地点 | Location
香格纳S空间，朝阳区机场辅路草场地261号, 北京, 中国
ShanghART S-Space, 261 Cao Chang Di, Airport Side Rd., Chaoyang District, Beijing, China

www.shanghartgallery.com




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“共享叙事”作为一个系列策展项目，将在香格纳北京S空间分次呈现多个章节，由艺术家和策展人在具有不规则特质的场域中共同探索另类的展览形式。每位艺术家的“个展”（A， B， C）中会包含或者说伴随下一位艺术家的“一件作品”（a，b， c）出现，a， b， c分享当场的叙事，留下线索，或形成阻碍，也如展览剩余物承载记忆。其结构可以简单描述为：

c & A
a & B
b & C
c + a + b

“Shared Narrative(s)” is a series of curatorial projects consists of multiple chapters, which explores an alternative FORM of exhibition making in an irregular space. Each artist’s solo show (A, B, C) includes or accompanies a work (a, b, c) of the upcoming artist. Therefore, a, b, or c’s presence shares the current show’s narrative, leaves a clue, intervenes, while becoming an exhibition’s leftover which is embedded in our memories. The structure could be simply put in this way:

c besides A
a besides B
b besides C
c + a + b

这种个展－双人展－群展的混合物创造的包容而灵活的框架，让开放的对话，即兴，与不确定性发生，寻求集体的甚至是匿名的作者身份。“共享叙事”试图质疑我们在当下可以创造什么样的美学与权力关系？我们如何呈现或再现关系本身，并在合作与矛盾中将其维持成一种延续的形式？我们自身如何成为彼此的联结？
A mixture of solo, two-person and group show creates a compatible and flexible framework which allows open discussions, improvisations, and uncertainties to take place. It is essentially in praise of collective even anonymous authorship. “Shared Narrative(s)” questions what sort of aesthetic and power relation can we create? How do we (re)present relationship itself or even sustain it in a lasting form via on-going collaborations and conflicts? How do we reside beside each other ?

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关于策展人｜About the Curator

缪子衿，1990年出生于江苏无锡。2013年毕业于英国伦敦艺术大学伦敦传媒学院，创意广告战略本科；2015年毕业于英国伦敦大学金史密斯学院，策展研究生；现生活、工作于北京。2017年曾任《艺术界》编辑，供稿于《艺术论坛》中英文网、《艺术界》、《艺术新闻（中文版）》、《燃点》等。研究兴趣包括：观念艺术，独立艺术空间，机构批判，后媒介与后网络状况下的艺术生产和流通。近期策划的项目有：“全球定位”，乔空间&油罐艺术中心项目空间，上海 （2017）；“抵抗的涌现：误入”，泰康空间，北京 （2016）；“欢迎光临”，空白空间，北京（2016）等。

Miao Zijin was born 1990 in the province of Jiangsu in China. In 2013, she graduated from BA Creative Advertising Strategy (First Class Honours), London College of Communication, University of the Arts London (UAL), London, UK. In 2015, she graduated from MFA Curating (Merit), Goldsmiths, University of London, UK. MIAO Zijin currently lives and works in Beijing.V She worked at LEAP magazine as an editor in 2017. Her articles could be found in Artforum.com, Artforum.com.cn, LEAP, The Art Newspaper China (TANC), Ran Dian, etc. Miao’s research interests include conceptual art, independent art spaces, institutional critique, art making and circulation in the post-medium and post-internet condition. Projects curated by her recently: “I Do (Not) Want To Be Part Of Your Celebration”, Qiao Space & TANK Shanghai Project Space, Shanghai (2017); “Toward The Emergence Of Resistance: Make It Wrong, Till It’s Right”, Taikang Space, Beijing (2016) and “Welcome”, White Space, Beijing (2016).


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关于艺术家｜About the Artists

施昀佑，1985年生于台湾彰化，毕业于台湾大学历史学系（2007），芝加哥艺术学院雕塑创作硕士（MFA, 2014）。从2010年开始创作至今，施昀佑的作品形式一直与其身处的空间密切相关：在台北这个他生活了十年的城市，他能以一栋历史建筑为媒材进行创作（《像建筑告别——洞洞馆计画（2010）》），而身处长期的移动状态时，他的作品也随之进入行李箱，成为档案、文件与书册，讲述著一则又一则的故事。在创作中，他经常使用不同的形式探索纪念碑和记忆的样貌，同时也总是纳入他和国家机器以及机构之间的互动，但相对于一种对抗的姿态，施昀佑更倾向于使用一种共存或渗透的手法来探索这中间的模糊地带。施昀佑曾获芝加哥新艺术家协会新艺术家奖(2012)，台湾文化部驻村奖金(2015)，国家艺术基金会国际交流补助(2015)。曾受邀参与史勾西根绘画雕塑学校(2014)，北极圈艺术家进驻计画(2015)，4-18哥伦比亚驻留计画(2015)。作品曾于上海当代美术馆，台北当代艺术中心，VT非常庙，纽约PRACTICE艺术空间，哥伦比亚4-18艺术空间，北京长征，贝尔格勒国家文化中心等地展出。

Yunyu Ayo Shih, 1985 born in Taiwan, currently lives and works in Taipei and New York. He graduated from National Taiwan University with a BA in History in 2007 and School of The Art Institute of Chicago with an MFA in Sculpture in 2014. Since he started to make art in 2010, Shih’s work has always related closely to the space he situated; In Taipei, a city he lived in for ten years, he turn a whole building into the subject of his art in the piece Farewell To A Building, the DDGP (2010). While he is constantly moving and relocating, his works are stored in suitcases and become archives, documents, and books that tells different stories. He frequently explores different appearances of memorial and memory while at the same time involving interactions between himself and state apparatus. Instead of posing a confrontational gesture, he tends to choose coexistent or penetrated attitudes to explore gray areas. Shih’s work has been exhibited at Power Station Art Museum in Shanghai, Taipei Contemporary Art Center, VT Artsalon (Taiwan), Practice Space (NY), 4-18 Space (Bogota), Long March Space in Beijing(2016), Cultural Center Belgrade(2017) and many other space. He has been the recipient of the New Artist Society Award (2012), Taiwan National Cultural Affair Grant (2015), and The National Culture and Arts Foundation Award (2015), and has participated in the Skowhegan School of Painting and Sculpture (2014), the Arctic Circle Residency (2015), and 4-18 Residency in Colombia (2015).

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林奥劼，1986年出生于广州，2010年毕业于广州美术学院油画系，现工作并生活于广州，中国的创作涉及多种媒材，其中包括录像、装置、绘画、照片等形式。林奥劼的作品大多以个人经验出发用一种轻松方式触碰艺术的权力系统、艺术与艺术家之间关系和认知观念的边界。除了个人创作以外，2011年与艺术家余益裔合作创立了双色球小组，以“如何致富”为核心进行创作。2015年与艺术家蔡焕升、余益裔、赖志杰、陈拍岸创办了微信公众平台3dgroup，以“低成本，低技术，低回报”为核心进行创作。近期个展包括“我不是教你诈，也不是教你坏”，亚洲当代艺术中心，上海，中国（2017）。群展包括：“没有信息是中立的系列 之陆仁甲”，SSSSTART，上海，中国（2017）；“画破狗”，泰康空间，北京，中国（2017）等。

Lin Aojie, 1986 born in Guangzhou，2010 graduated from BA Oil Painting, Guangzhou Academy of Fine Arts, currently lives and works in Guangzhou. Lin Aojie’s artistic practice employs diverse artistic mediums such as video art, installation, painting, photography and etc. Lin’s work, in most cases, departs from a personal experience and expands into the power of the art system, the relationship between art and the artist, and the boundary on the notion of understanding through witty approaches. Other than his personal practice, in 2011, he founded the Double Color Ball Group with artist Yu Yiyi that made a works with the focus on “how to become wealthy”. In 2015, artists Cai Huansheng, Yu Yiyi, Lai Zhijie, Chen Pai’an founded the official account on WeChat, 3dgroup, that aims at making works of art at “low cost, low tech and minimal returns”. Recent solo exhibition includes: “If You Throw Enough Mud at the Wall, None of It Will Stick’’, A+Contemporary, Shanghai , China(2017). Recent group show include: “BEING INFORMATION Person-a”， SSSSTART, Shanghai, China (2017); “Drawing Pogo”, Taikang Space, Beijing, China (2017), etc..
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管钧，1991年出生于纽约, 毕业于纽约亨特艺术学院，现在是中央美术学院实验艺术系的硕士生。曾于2013年参加耶鲁Norfolk暑假项目，2014年在南京大学进修。 他的创作涉及多种艺术形式，包括绘画、雕塑、装置等，其作品曾在纽约、深圳、北京、南京、三亚等多地展出。近期展览包括：“游·历”，三亚华宇青年奖，三亚，中国（2016）；“山中美术馆”，四方当代美术馆，南京，中国（2016）；“麒麟铺”，四方当代美术馆，南京，中国（2015）等。

Richard Kuan, 1991 born in New York. He received his BFA from Hunter College and is currently a graduate student at the Central Academy of Fine Arts. He also has studied at Nanjing University and participated in the Yale Norfolk program. His work incorporates a wide range of media, including painting, sculpture, photography and installation. His recent exhibitions include: “Traverse Couse”, Huayu Art Sanya, Sanya, China (2016); “Mountain Sites: Views of Laoshan”, Sifang Art Museum, Nanjing, China (2016); “Qilin Stall”, Sifang Art Museum, Nanjing, China (2015), etc..