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今年，香格纳画廊将第二次加入画廊周北京的参展阵容，带来艺术家刘晓辉个展《两个动作》，以及群展《共享叙事》。
In 2018, ShanghART Gallery will be participating the Gallery Weekend Beijing for the second time , bringing the solo exhibition "Movements" of the artist Liu Xiaohui and the group exhibition "Shared Narrative(s)" .
（高清视频请点击左下角“阅读原文”）
香格纳北京 ShanghART Beijing
香格纳画廊成立于1996年，是中国最早成立的当代艺术画廊之一。目前，香格纳在上海、北京、新加坡均设有空间。二十年来，香格纳致力于中国当代艺术的发展。香格纳与40多位艺术家紧密合作，参与国际艺博会并与国内外的艺术机构合作。
香格纳上海 ShanghART Gallery, Shanghai
香格纳画廊于2016年11月搬至上海西岸新空间。
Founded in 1996, ShanghART Gallery is one of the first contemporary art galleries established in China. With spaces in Shanghai, Beijing and Singapore, ShanghART has been a driving force of the development of Chinese contemporary art for the past twenty years. Working closely together with over 40 artists, ShanghART regularly participates in the major international art fairs and collaborates with important art institutions in China and from all over the world.
NEW ADDRESS (Nov 2016): ShanghART Gallery Shanghai is newly located on the West Bund.
画廊周北京展览项目
《两个动作》| “Movements”
艺术家：刘晓辉 | Artist: Liu Xiaohui
展览时间：3.4.2018--4.8.2018
无题－三块镜子，布面油画 ｜ Untitled - Three Mirrors, Oil on canvas, 200x300cm, 2015-2017
无题－自由生长，三联画，布面油画 ｜ Untitled - Natural Growth, Triptych, Oil on canvas, 200 x 220cm x 3, 2015- 2017
香格纳北京荣幸地宣布将于2018年3月4日举办刘晓辉在香格纳画廊的首次个展《两个动作》，展览将呈现艺术家近三年的最新绘画作品。
刘晓辉的新系列作品逐步从略具叙事的绘画风格，延展到通过关注绘画本体来探求更为可靠和更为真实的路径，之前艺术家亲手建立起的明晰秩序也被其一一打破。
在近作中，镜前看似是脱衣或者穿衣的人物动作在画面里第一次有了不稳定感，略显突兀的植物（或者说是绿色、黄色和黑色的色块和笔触）“生长”在真假难辨的矛盾世界当中，它们近乎疯狂的成为争夺空间的异质物。
刘晓辉的绘画主体并非是被清晰建构出来的，它们更似艺术家在潜意识中重整自我经验的结果。在触碰到“真实”之前，他不断面对着个体与外部，甚至与自我的博弈和挣扎（这也表现出艺术家对于“真实”的反复质疑），因此，绘画的每一步动作都成为他为自身设下的迷局。
Liu Xiaohui: Movements
ShanghART Beijing is pleased to present Liu Xiaohui’s first solo exhibition “Movement” at the gallery, opening on 4th March, 2018. The exhibition showcases the artist’s latest works in recent three years.
Liu Xiaohui’s new works have gradually switched from a painting style with a hint of narrative to an exploration of the ontology of painting which is more reliable and realistic. The distinct order he has once established are at once challenged.
In his recent works, the movement of dressing or undressing makes the overall compositions destabilized for the first time. Abrupt plants (in other words, the color blocks in green, yellow and black) “grow” in a paradoxical world where truth and falsehood are hard to distinguish. They are alienating object that competed for space on his canvas.
For the artist, the subjects of paintings are not clearly constructed by himself; they are more like the outcome of the artist’s accumulation of experiences. Before touching on the “truthfulness”, he continues to confront the struggles and breakthroughs of the individual from the external world, which also reflect his repetitive query of “truthfulness”. From this perspective, every brushstroke on canvas becomes a self-imposed mystery.
关于艺术家
刘晓辉，1975年出生于山东，1991年来到北京，相继在中央美术学院完成附中，大学和研究生的学习。2007年应邀赴英国伦敦进行艺术交流和创作，目前任教于中央美术学院壁画系。刘晓辉作品的结构是紧紧围绕其生活线索（路径），利用绘画语言的造型塑造和对色彩的反复分析，在对于“当下经验”的不断肯定与否定中，通过在绘画过程中反复的推敲与提炼，运用指向性模糊的题材和寻常的场景事物，力图通过“质”和“量”的渗透反应，来寻找一个“空间”进行反复实践和判断。
Liu Xiaohui was born in Shandong Province, China, in 1975, and moved to Beijing in 1991. He graduated from Central Academy of Fine Arts (CAFA) High School, and subsequently got his bachelor and master degrees from CAFA. In 2007, he was invited to London for an exchange program. He currently teaches at the Mural Painting Department of CAFA. Practicing primarily as a painter, Liu centers the structure of his practice closely around life, taking it as the source of clue (or path). By employing a painterly language and tireless repeating analysis of color, the artist both affirms and denies perennially the immediate experience. He constantly deliberates and refines non-referring subject matters and ordinary scenes. Finally, Liu aims at finding a “space” to practice and assess via permeating effect of quality and quantity.
讲座 | Lecture
3.25.2018 15:00-16:00
香格纳画廊 ShanghART Gallery Activity
刘晓辉：两个动作 | Liu Xiaohui: Movements
嘉宾：刘晓辉 汪民安 贺婧 |Guests: Liu Xiaohui, Wang Min’an, He Jing
《共享叙事 》| “Shared Narrative(s)”
策展人：缪子衿 | Curator: Miao Zijin
艺术家：施昀佑 & 林奥劼 & 管钧 |
Artists: Yunyu “Ayo” Shih & Lin Aojie & Richard Kuan
展期：3.22.2018- 5.22.2018
“共享叙事”作为一个系列策展项目，将在香格纳北京分次呈现多个章节，由艺术家和策展人在具有不规则特质的场域中共同探索另类的展览形式。每位艺术家的“个展”（A， B， C）中会包含或者说伴随下一位艺术家的“一件作品”（a，b， c）出现，a， b， c分享当场的叙事，留下线索，或形成阻碍，也如展览剩余物承载记忆。其结构可以简单描述为：
c & A
a & B
b & C
c + a + b
这种个展－双人展－群展的混合物创造的包容而灵活的框架，让开放的对话，即兴，与不确定性发生，寻求集体的甚至是匿名的作者身份。“共享叙事”试图质疑我们在当下可以创造什么样的美学与权力关系？我们如何呈现或再现关系本身，并在合作与矛盾中将其维持成一种延续的形式？我们自身如何成为彼此的联结？
“Shared Narrative(s)” is a series of curatorial projects consists of multiple chapters, which explores an alternative FORM of exhibition making in an irregular space. Each artist’s solo show (A, B, C) includes or accompanies a work (a, b, c) of the upcoming artist. Therefore, a, b, or c’s presence shares the current show’s narrative, leaves a clue, intervenes, while becoming an exhibition’s leftover which is embedded in our memories. The structure could be simply put in this way:
c besides A
a besides B
b besides C
c + a + b
A mixture of solo, two-person and group show creates a compatible and flexible framework which allows open discussions, improvisations, and uncertainties to take place. It is essentially in praise of collective even anonymous authorship. “Shared Narrative(s)” questions what sort of aesthetic and power relation can we create? How do we (re)present relationship itself or even sustain it in a lasting form via on-going collaborations and conflicts? How do we reside beside each other ?
关于策展人
缪子衿，1990年出生于江苏无锡。2013年毕业于英国伦敦艺术大学伦敦传媒学院，创意广告战略本科；2015年毕业于英国伦敦大学金史密斯学院，策展研究生；现生活、工作于北京。2017年曾任《艺术界》编辑，供稿于《艺术论坛》中英文网、《艺术界》、《艺术新闻（中文版）》、《燃点》等。研究兴趣包括：观念艺术，独立艺术空间，机构批判，后媒介与后网络状况下的艺术生产和流通。近期策划的项目有：“全球定位”，乔空间&油罐艺术中心项目空间，上海 （2017）；“抵抗的涌现：误入”，泰康空间，北京 （2016）；“欢迎光临”，空白空间，北京（2016）等。
About the curator：
MIAO Zijin was born 1990 in the province of Jiangsu in China. In 2013, she graduated from BA Creative Advertising Strategy (First Class Honours), London College of Communication, University of the Arts London (UAL), London, UK. In 2015, she graduated from MFA Curating (Merit), Goldsmiths, University of London, UK. MIAO Zijin currently lives and works in Beijing.V She worked at LEAP magazine as an editor in 2017. Her articles could be found in Artforum.com, Artforum.com.cn, LEAP, The Art Newspaper China (TANC), Ran Dian, etc. Miao’s research interests include conceptual art, independent art spaces, institutional critique, art making and circulation in the post-medium and post-internet condition. Projects curated by her recently: “I Do (Not) Want To Be Part Of Your Celebration”, Qiao Space & TANK Shanghai Project Space, Shanghai (2017); “Toward The Emergence Of Resistance: Make It Wrong, Till It’s Right”, Taikang Space, Beijing (2016) and “Welcome”, White Space, Beijing (2016).
关于艺术家
施昀佑，1985年生于台湾彰化，毕业于台湾大学历史学系（2007），芝加哥艺术学院雕塑创作硕士（MFA, 2014）。从2010年开始创作至今，施昀佑的作品形式一直与其身处的空间密切相关：在台北这个他生活了十年的城市，他能以一栋历史建筑为媒材进行创作（「像建筑告别——洞洞馆计画（2010）」），而身处长期的移动状态时，他的作品也随之进入行李箱，成为档案、文件与书册，讲述著一则又一则的故事。在创作中，他经常使用不同的形式探索纪念碑和记忆的样貌，同时也总是纳入他和国家机器以及机构之间的互动，但相对于一种对抗的姿态，施昀佑更倾向于使用一种共存或渗透的手法来探索这中间的模糊地带。施昀佑曾获芝加哥新艺术家协会新艺术家奖(2012)，台湾文化部驻村奖金(2015)，国家艺术基金会国际交流补助(2015)。曾受邀参与史勾西根绘画雕塑学校(2014)，北极圈艺术家进驻计画(2015)，4-18哥伦比亚驻留计画(2015)。作品曾于上海当代美术馆，台北当代艺术中心，VT非常庙，纽约PRACTICE艺术空间，哥伦比亚4-18艺术空间，北京长征，贝尔格勒国家文化中心等地展出。
Yunyu Ayo Shih (b. 1985) currently lives and work in Taipei and New York. He graduated from National Taiwan University with a BA in History in 2007 and School of The Art Institute of Chicago with an MFA in Sculpture in 2014. Since he started to make art in 2010, Shih’s work has always related closely to the space he situated; In Taipei, a city he lived in for ten years, he turn a whole building into the subject of his art in the piece Farewell To A Building, the DDGP (2010). While he is constantly moving and relocating, his works are stored in suitcases and become archives, documents, and books that tells different stories. He frequently explores different appearances of memorial and memory while at the same time involving interactions between himself and state apparatus. Instead of posing a confrontational gesture, he tends to choose coexistent or penetrated attitudes to explore gray areas. Shih’s work has been exhibited at Power Station Art Museum in Shanghai, Taipei Contemporary Art Center, VT Artsalon (Taiwan), Practice Space (NY), 4-18 Space (Bogota), Long March Space in Beijing(2016), Cultural Center Belgrade(2017) and many other space. He has been the recipient of the New Artist Society Award (2012), Taiwan National Cultural Affair Grant (2015), and The National Culture and Arts Foundation Award (2015), and has participated in the Skowhegan School of Painting and Sculpture (2014), the Arctic Circle Residency (2015), and 4-18 Residency in Colombia (2015).
林奥劼，1986年出生于广东广州，中国，2010年毕业于广州美术学院油画系，现工作并生活于广州，中国的创作涉及多种媒材，其中包括录像、装置、绘画、照片等形式。林奥劼的作品大多以个人经验出发用一种轻松方式触碰艺术的权力系统、艺术与艺术家之间关系和认知观念的边界。除了个人创作以外，2011年与艺术家余益裔合作创立了双色球小组，以“如何致富”为核心进行创作。2015年与艺术家蔡焕升、余益裔、赖志杰、陈拍岸创办了微信公众平台3dgroup，以“低成本，低技术，低回报”为核心进行创作。近期个展包括“我不是教你诈，也不是教你坏”，亚洲当代艺术中心，上海（2017）。群展包括：没有信息是中立的系列 之陆仁甲，SSSSTART，上海，中国（2017）；画破狗，泰康空间，北京，中国（2017）等。
Lin Aojie，1986 Born in Guangzhou，2010 graduated from BA Oil Painting, Guangzhou Academy of Fine Arts, currently lives and works in Guangzhou. Lin Aojie’s artistic practice employs diverse artistic mediums such as video art, installation, painting, photography and etc. Lin’s work, in most cases, departs from a personal experience and expands into the power of the art system, the relationship between art and the artist, and the boundary on the notion of understanding through witty approaches. Other than his personal practice, in 2011, he founded the Double Colour Ball Group with artist Yu Yiyi that made a works with the focus on “how to become wealthy”. In 2015, artists Cai Huansheng, Yu Yiyi, Lai Zhijie, Chen Pai’an founded the official account on WeChat, 3dgroup, that aims at making works of art at “low cost, low tech and minimal returns”. Recent solo exhibition include: “If You Throw Enough Mud at the Wall, None of It Will Stick’’, A+Contemporary, Shanghai (2017). Recent group show include: “BEING INFORMATION Person-a”， SSSSTART, Shanghai, China (2017); “Drawing Pogo”, Taikang Space, Beijing, China (2017), ect.
管钧出生于纽约, 毕业于纽约亨特艺术学院，现在是中央美术学院实验艺术系的硕士生。曾于2013年参加耶鲁Norfolk暑假项目，2014年在南京大学进修。 他的创作涉及多种艺术形式，包括绘画、雕塑、装置等，其作品曾在纽约、深圳、北京、南京,三亚等多地展出。
Richard Kuan received his BFA from Hunter College and is currently a graduate student at the Central Academy of Fine Arts. He also has studied at Nanjing University and participated in the Yale Norfolk program. His work incorporates a wide range of media, including painting, sculpture, photography and installation.
关于画廊周北京
画廊周北京通过联结北京地区的顶尖国内外当代艺术机构，致力于为全球收藏家、美术馆、艺术爱好者提供一个集中了解和分享前沿当代艺术的推广平台。在画廊周北京期间，画廊、非盈利机构与艺术家将合力呈现一年中最精彩的展览，着重将艺术作品直接呈现于画廊的完整空间，有助于参观者深入理解艺术家创作的系统思想，能够直观领略每个机构不同的鲜明气质。画廊周旨在建立推动艺术生态良性健康发展的公共平台，同时致力于建立艺术与公众、社会、传媒的多元跨界交流和对话。
A hub connecting top Beijing contemporary art institutes of domestic or overseas backgrounds, GWBJ is committed to building up a platform for collectors, museums, and art lovers to gain acquaintance with and share the newest achievements of the contemporary art in a single event. In that week the most splendid exhibitions of the year are due to be presented by all participating parties, invites audience back to artworks' original, meticulously curated exhibition sites, so that they can gain a deeper understanding of artist's ideas, and appreciate various characters and stands of art institutes. GWBJ aims to promote the healthy development of the Beijing artistic ecology, and boost the exchanges and dialogues between art and other fields such as the public, the society, and the media.
（本文文字及图片资料来源于香格纳画廊 | Image and Text courtesy ShanghART Gallery；视频版权归属于画廊周北京 | video courtesy Gallery Weekend Beijing）
地址：北京市朝阳区机场辅路草场地261号
网站：http://www.shanghartgallery.com
电话：+86 10 6432 3202
联系邮箱： info@shanghartgallery.com
Address: 261 Caochangdi, Airport Side Road, Chaoyang District, Beijing, China
Website: http://www.shanghartgallery.com
Mobile phone: +86 10 6432 3202
Email address: info@shanghartgallery.com
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发表于 2018-4-10 13:58:13
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