请阅读所给背景信息及鲍勃·迪伦的《Blowing in the wind答案在风中飘荡》歌词节选,绘制一幅你所联想到的能表现该诗歌意境的造型视觉画面。
《Blowing in the wind答案在风中飘荡》(歌词节选)
How many roads must a man walk down
一个男人要走过多少条路
Before they call him a man
才能被称为一个男人
How many seas must a white dove sail
一只白鸽子要越过多少海水
Before she sleeps in the sand
才能在沙滩上长眠
How many times must the cannon balls fly
炮弹在天上要飞多少次
Before they’re forever banned
才能被永远禁止
The answer,my friend,is blowing in the wind
答案,我的朋友,在风中飘荡
The answer is blowing in the wind
答案在风中飘荡
注:1962年冷战时期,鲍勃·迪伦创作出《Blowing in the wind》。那些被视为“垮掉的一代”的美国叛逆青年,弹着老吉他,哼唱着这首为反对越战创作的曲子,奔赴全世界各个角落追逐他们的梦想;那是一个思想的年代,不用谈论爱情,只需社会责任感就能成为偶像。32年后,这首歌被选作电影《阿甘正传》的主题曲,与奔跑的阿甘一道成为一种前进精神的象征。这首歌曾入选美国大学教材,并成为鲍勃·迪伦获得2016年诺贝尔文学奖的获奖作品。
作者简介:
张萱(公元8世纪)〔唐〕京兆(今陕西西安)人,生卒年不详。玄宗开元十一年(723)与杨升、杨宁同时任史馆画直。工画人物,以擅绘贵族妇女、贵公子、婴儿、鞍马名冠当时。所画妇女惯用朱色,晕染耳根为其特色。又善以点簇笔法,画亭台、树木、花鸟等宫苑景物,点缀妍巧,俱穷其妙。尝以“金井梧桐秋叶黄”之句画《长门怨》,甚有思致。画迹有《明皇纳凉图》《整妆图》《卫夫人像》等47件,著录于《宣和画谱》。传世作品有《捣练图》卷(为赵佶摹本),现藏美国波士顿美术馆;和《虢国夫人游春图》卷(为宋摹本),从艺活动约在开元、天宝年间。
作品2:《沉睡的吉普赛姑娘》 (The Sleeping Gypsy,1897)布面油画,129.5 x 200.7 cm,美国纽约现代美术馆(MoMa)
Henri Julien Félix Rousseau ( May 21, 1844 – September 2, 1910) was a French post-impressionist painter in the Naïve or Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a toll collector. Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.
The Sleeping Gypsy (French: La Bohémienne endormie) is an 1897 oil painting by Henri Rouseau. It is a fantastical depiction of a lion musing over a sleeping woman on a moonlit night.
Rousseau first exhibited the painting at the 13th Salon des Indépendants, and tried unsuccessfully to sell it to the mayor of his hometown, Laval. Instead, it entered the private collection of a Parisian charcoal merchant where it remained until 1924, when it was discovered by the art critic Louis Vauxcelles. The Paris-based art dealer Daniel-Henry Kahnweiler purchased the painting in 1924, although a controversy arose over whether the painting was a forgery. It was acquired by art historian Alfred H. Barr Jr. for the New York Museum of Modern Art.
Rousseau described his painting as follows: "A wandering Negress, a mandolinplayer, lies with her jar beside her (a vase with drinking water), overcome byfatigue in a deep sleep. A lion chances to pass by, picks up her scent yet do-es not devour her. There is a moonlight effect, very poetic."